Thursday, 16 May 2019

A GIRL CALLED MURDER - Review



Title: A Girl Called Murder

Author: Kennedy Cannon

Rating: 5*






"They called us a murder, as in crows."



As a reader, I've read some bizarre books, some incredible ones, some questionable ones, and there are different ones. I've never figured out what makes them different but I always identify the feeling. No matter the subject, no matter the genre or theme, the writing always instils an overall calm feeling as I read it. As someone who suffers with anxiety, sometimes books can trigger an anxious response relating to my own anxious points. There were some points touched on in this book yet the calming effect chased away that and left me with this stillness to read. That's what happened when I read just the first page of A GIRL CALLED MURDER, and I knew I was in for one of the best reads of 2019--and was not disappointed.

I feel like if VE Schwab and Maggie Stiefvater had a lovechild book, you would get this book. It had all the dark, questionable aspects I've previously loved in a VE Schwab book, and all the there-ness of a Stiefvater book. (In the sense of when something bizarre happens, it's just there, it's normal, no explanation needed.) Tannyn Carter can grasp and wield fears, creating nightmares for anyone who antagonises her. It's portrayed as a quality she just has and often accidentally uses. There's never a reason as to why or how she can do this; she just does, and I really liked that about the story. It's magical realism at it's best: normalising this girl with a weird and fascinating thing about her.

Tannyn is surrounded by her "murder of crows", her four best friends: Jack, West, Theodore, and Eve--until Eve is brutally murdered--the irony, of course, is not lost. Each of the "crows" has a nickname, or a distinguishable feature. Tannyn has her nightmares, Theodore can bring his sister Eve back to life time and time again, Eve has her blonde hair and fearsome nature, West is the ever-present boy who is always there, and Jack is has the biggest heart of them all. After Eve's death, the murder of crows are at a loss, going through one faint motion to the next, stumbling through different parties just to take their minds off the death.

(Spoiler part) Until Theodore confesses his secret, and, therefore, his sister, Eve's reappearance. Through her return, the crows try to find her murderer--which turns into an incredible plot twist you never see coming. (Well, I didn't.) (End of spoiler)

There are two things that jumped out at me in this book: LGBTQ+ representation, and discernible smells of characters. That's how Tannyn sees the world: through their fears, and often those fears came with smells: smoke, chardonnay, hospitals, sugar, thunder storms, whiskey. Often those thoughts came paired with some sort of visual, to add depth to the fear Tannyn could wield, if she chose. Along with smells came subtle representation; as in, it wasn't made a "big deal" like others like to do when they think they're presenting the LGBTQ+ Community with something. In A GIRL WITH MURDER, there were at least six characters (four in the main circle of protagonists, the other two in a cannon relationship) shown in general terms of identifying. West was mentioned as having a chest binder, which I took to mean he was transgender; I felt like Jack was hinted at being bisexual due to several scenes, as well as Tannyn and Eve; and then there was the actual cannon gay relationship between Tannyn's older brother and his boyfriend. There was no stigma; just people, as it should be.

The way Kennedy Cannon has wound her book into this intricate, dark story was clever. It was a read I thoroughly enjoyed, and would happily reread over and over, just to spot more tiny details. The symbolism was wonderful and the meanings behind that was fun to read. The group of five friends was a comforting dynamic to learn and read about, making me yearn for the ups and downs of the Raven Boys, and the romance plaited into the bigger story left me always wanting more. It was the sort of push-pull romance that had me wanting them to just get together, whilst loving the teasing nature of it not being official.


A GIRL WITH MURDER is dark, twisty, and a very intense story, and you all should basically read it.

Tuesday, 14 May 2019

What They Didn't Say

They never asked
what I wanted,
or how I felt going this place or that place.
They never asked
why my grades were slipping,
dragging a future down with them.

They asked weighted questions with fear in their eyes
and when they never understood my words
they turned to other things:
my phone was taken off me,
pictures were taken of my legs,
privacy: invaded.

I stuffed so much of the truth down my throat
because I hated the anger, the questions
rather than the softness I needed after the hardships.
I dragged myself back up but tumbled right back down
into a pit I couldn't even name.

Then I dragged and I cried and I punched pillows,
until one day I could say,
I've been one whole year clean
and for someone who had barely gone an hour without the desire
coursing through their entire being
It was a triumph.

I spent that summer working, revising, learning how to function without this need in me--learning how to live with it without caving to it.
I got my grades, I got my certificate, I moved to college.
The sun cracked through: I laughed, I went out, I saw a future right there laid out.
My hardships had ended.

Or so I thought.
It crashed around me sometime three years ago, yanked away before I could blink.
Another thing took root, a thing that had a voice and a face in my mind.

It told that if I left my house the world would end.
It told me that if I tried I would regret it.
It whispered anxiety through my body, spiders crawling over my skin.
It breathed panic into my lungs.

I swallowed my words, met with offense when I talked about it.
So I stayed,
and I hid,
and I'd never hated myself so much as I did watching my life slip away and feeling so helpless.

My friends, leaving one by one, when i couldn't see them.
The voice told me they were bad to me, anyway.
My prospects, dwindling.
The voice told me the pressure was now off.
Until all I had was nothing.

Just me
at a desk
in my room
alone.

And nobody,
not one person said

I see you, I haven't forgotten you. I understand the darkness and I'll be here when you're ready.

Not one person saw my loneliness and said

Please let me come to see you, talk it out with me.

Everything was me: trying, crying, desperately holding on to whatever shred of life I still had.

Issues collided, I spiralled, until all that was left was an empty phone,
an empty life
and the words, you'll send me to an early grave was all I heard.

Let me take your hand
and tell you

I'll be okay

because after all this
I still believe I will.


I'll write and I'll dance and I'll laugh and I'll find genuine happiness;
but I'll remember those who left me and those who weren't there when I needed them,
those who let me slip away when I was trying to hold on.

And at the end of the day I'll smile;
That's all what will matter.

Saturday, 6 April 2019

Where I'm At With Writing

Each time I make a post like this I feel like I've only just done one. Recently I've been torn up over what my purpose in life is. I'm watching my sister be successful, plan a future family; she'll graduate university. I'm watching my friends plan good futures in current jobs or using impending degrees. As I'm currently not working nor in education, my mind constantly begs the question. What is going on in my life? What's my purpose? What mark do I want to make?

My best friend reminded me the other day that I don't sit at my laptop for hours a day, writing line after line, chapter after chapter, forming manuscripts, to wonder what my purpose is. Writing, I think, is my purpose. Whilst I have some technicality issues, I'm a good writer. In this current age of society, there's so much pressure on going out to work 40+ hours a week, maintaining a thriving social life as well as family life. That's the norm. Not for me. I thought it was. For a while it started to be.

I might not go to work for 40+ hours a week but I sit at my desk and I write for potentially more hours. I work towards each book goal, setting my own checkpoints. My purpose is to write books that will change people. My purpose is to create stories that make people feel more seen, a little less alone, to accept who they are no matter the fights they go through.

So where am I at with writing?

A few months ago, I didn't shut up about self-publishing. I talked about a book called SAVING PAIGES. I got a book cover draft, hired an editor, wrote like hell, and submitted the manuscript. I chose this because I needed something to happen for me in my life in the direction of my dream career. I wanted a book out in the world, no matter the means. I was naive, though. I largely underestimated how much work would be required to self-publish. After that first submission, I rewrote SAVING PAIGES, then I completely scrapped that storyline, came up with something new and called it WHO WE ARE. That also had to be tweaked. In January, I went to Ambleside, the home town of my main character in WHO WE ARE. I explored, I laughed, I felt peaceful. I found a new angle to tell the story from.

In February, on a whim, I queried an agent with another story. For the first time in five years of querying with different manuscripts, I got a full manuscript request. Except I hadn't expected anything to come of my querying--wrong. I wrote a 56,000 word story in two weeks, then edited, then submitted. Now, in April, after working on yet another manuscript, I think I'm ready to return to WHO WE ARE.

For me, each manuscript comes from a different headspace. WHO WE ARE was born from a bad headspace in regards to an old friend, then expanded into a healthier headspace. The story I submitted to the agent mentioned above came from another headspace. Trying to switch back is hard. It takes work; it means accepting going back into the past to reclaim where I was at that point, remembering why I wanted to write that particular story at that particular time. I'm not completely closing myself off to self-publishing; I want all the opportunities I can get. Traditional publishing is a hard industry to break into. You never know what agents specifically want; the market constantly changes, switching to appease a constantly-changing society. I'm still considering every angle but sometimes it comes down to this: after the past few months I've realised a lot of support isn't there where I thought it would be. People are quick to offer support when they don't have to do anything. When it involves them needing to pay money to buy my future book to give me that support, they disappear. It makes me feel audacious to even ask anyone to buy any book I may have in the future because when I've needed support these past few weeks/months, my friends are sparse.

I don't know where I'll go from here but I'll keep writing, keep believing, keep hoping that one day I'll have my own book in my hands.

Thursday, 28 March 2019

Agoraphobia

Lazy.

Disappointment.

Failure.

Quitter.

If you're an agoraphobic, these words might have already been associated with you. They certainly have been for me. They've come from people who didn't understand my phobia; they've come from people who I've explained my agoraphobia to. People see a twenty-year-old who has no job, no social life and very few friends, who barely leaves their house and thinks: what the f***? Adults worry; they tell me to just go for it! You'll be fine! Others my age call me lazy because that's how I look. If I go somewhere, I need literally dropping right off at that location, even if it's five minutes down the road.

So what's it like being an agoraphobic?

When I was fifteen-seventeen, I had a good life. I went to college three days a week; the other four days were spent with various friends, a book club, outings with my family, plans made without a second thought. In June 2016, I finished college already deciding not to go to university. I was content with my educational level--I was done. Little did I know that "done" feeling was going to be very final. A lot more final than I'd ever realise.

On a sunny day in August 2016, I woke up feeling normal, good, happy. I rode the bus to meet my best friend. I had some clothes to take back to the shop and that's when it began. I remember looking at a sunglasses stand, listening to my friend, and then it started. The dizziness, the hot flashes, the pounding heart, the feeling of Oh God, I am going to vomit. I shoved the clothes back into the bag without returning them, muttered something to my friend and high-tailed it right out of the shop. In the city centre, I sat on a bench and inhaled in and out deeply. Shakily, I followed my friend into a convenience shop to find me some sugary drink, thinking maybe I was just suffering from low blood sugar even though I'd eaten and drank already. The shakiness didn't subside, the worry of vomiting was in the back of my mind, so when my friend suggested we go to McDonald's for some high-calorie food, I agreed, thinking I was just hungry. There, the world spun and my body went heavy until my head rested on the table, my eyelids drooping heavily. After the previous episodes I'd recovered within an hour but this feeling hadn't shifted for over two hours at that point. I felt sick, rushing to the bathroom where I kept blacking out. Fair, but I was on the verge of fully passing out. Somehow, I made it home on the bus only to have a lecture about stress and not eating--which, again, didn't apply to this situation.

I thought it was another puzzling one-off until it happened in a restaurant several days later, the night before I was due to fly out to Spain at six am on a family holiday. Those two days combined was the start of my anxiety and, what I realise now, agoraphobia. I feared town because that's where the first episode happened. I feared restaurants because that's where the second one happened. My anxiety worsened over the months. In 2017, my agoraphobia firmly settled in me. Where I'd once had a high social life, I stopped going out. I purposefully fell out with friends just so they wouldn't ask me to make plans. I couldn't walk twelve minutes down the road to a restaurant for lunches with a friend. I couldn't travel on a bus. I could no longer even visit my grandad without my mum coming with me. In 2018, I somehow managed to get a job and never worked full-time because I couldn't mentally commit or cope with it. In November 2018, I quit that job.

Now it's March 2019, I've recently been put on medication for my agoraphobia; I've been told I need counselling to work through the issues. I have all this wasted potential because I can't go anywhere, I can't live freely, I can't do anything with my life. I can't get a good job with good future prospects; I can't consider university or going back to college because the bottom line is I am terrified of anything that requires me to commit to leaving my house. I constantly have people say, "Remember when you used to be able to do.... " and I hate myself so much to reflect on when my life was better, when I wasn't ruined by agoraphobia. Sometimes I can brave town as long as I'm with my sister or mum; even then I suffer mad anxiety over it. I've lost so many friends, fallen out with the ones who've actually stayed, passed by opportunities to live a normal life of a twenty-year-old. Adults constantly say how it's not normal, how they're worried. And whenever I get told I'm lazy, that I suck because I can't do something I feel restricted to do, I spiral into this horrible, deep self-hatred. I'm not lazy; just the thought of walking somewhere longer than I feel able, or riding a bus, or going to a restaurant makes me dizzy and sick. Every time someone suggests doing something I get this pinch of anxiety that worsens and worsens the more I think about it. I could reject the plan and I'll still feel panicked. I've told lies to cover myself up but I'm tired of lying.

I want to be able to say I can't do something because I have agoraphobia and that's okay and have support for that. The more I suppress it or pretend that's not the issue the worse my phobia will get. Agoraphobia is real. It's not a synonym for "laziness" or being a deadbeat. Yes, I can do things; yes there are situations I feel more comfortable in. Yes, I walk my dog every day because that's the only thing I feel 100% comfortable to do but add in someone wanting to meet me on that walk and I'm a mess. I don't know why. Agoraphobia has taken so much of me away, so much of life, until sometimes I look around myself and think, "What do I have left?" I've had pressure from different people to just do something, to stop keeping my friends waiting for me, that they won't wait forever. That puts so much heavy pressure on me. Suddenly it feels like everyone is yelling at me to be better but I can't. Not until I get the help I need.

And if you're a family member or friend who hasn't ever put me down for this, I thank you so much. It's thanks to people like you that I have support, that I know I can recover. More awareness needs to be raised on agoraphobia and not have someone say, "You can't have it because you went out last weekend, or you did that..." I want to acknowledged, helped. I want to live a life I want to again.

Friday, 15 March 2019

GIRL IN PIECES (Slightly Spoiler-y) Review

Author: Kathleen Glasgow
Rating: 5*



CW/TW: self-harm, drug abuse, alcoholism


First off, this book was hard to read. This book was raw; it was real. It was the unflinching truth about self-destruction, self-harm, and the darkest, ugliest sides of ourselves when we face it. However, it wasn't all dark. GIRL IN PIECES celebrates your thing. That bubbling passion in someone struggling, that very thing that anchors them in the dark, how everything comes out. If you can't talk, you do that.

After Charlie becomes homeless, attacked, and loses her best friend, she tries to kill herself by going just that little bit deeper. She fails and her friends from the street drop her off at a hospital to be cared for. In a psychiatric hospital, Charlie finds her people: the cutters, the burners, the pinners. Everyone with skin likes hers, she finds them. She finds solace in them. She finds hope and recovery and a voice with them. Once discharged after several weeks, she moves to another part of the country with the help of her friend, Mikey. There, she starts finding a new life, a better way of living, coping, and looking after herself. Yet starting a new job brings a different start to Charlie: a start that she's well-acquainted with. Meeting Riley sends Charlie into another dark spiral. Together, they navigate bad coping mechanisms, drugs, alcohol, and when Charlie starts to fall in love with him--and, I believe, Riley loved her as well, in some way he was capable--disaster starts. He gets her to do drug runs, she lets him get away with being constantly high or drunk, to a destructive point. Reading about their relationship had my chest tight and tears streaming. I hurt for Charlie, I felt for Riley, I was angry at and addicted to the whole dynamic. When that blows up in Charlie's face and she attempts suicide again, she's saved by people she never thought were looking out for her.

Reading this book made me feel seen. GIRL IN PIECES took my hand, saw the deepest, ugliest parts of myself that made me feel ashamed to confess and said, "It's okay. I see you, I see your hurt, your ways. Be you. Find who you are." In the story, Charlie falls into art. She vents through art, lets out every bad thought, feeling, urge. The author encourages the reader to find their thing. Their passion, their vent. The way I see it is like this: you're standing at a crossroads, at the edge of another urge/breakdown/episode, and you see two signs; one directs to self-harm, the other directs to your passion. The self-harm way might make you feel better but it's destructive, temporary. Now, the passion one is honest, emotional, and is what might drain that bad feeling bit by bit. Kathleen Glasgow has given me a particular gift with this book: as a writer, I don't want to be afraid to write the hard things anymore. I've started writing a new manuscript based off so many feelings I've never felt able to get out. GIRL IN PIECES has given me the gift of acceptance: not everything is rosy and shiny and so why should my passion be? Sometimes YA has a way of romanticising mental health to make a story out of it; this isn't the case with this story. It shows the ugly side most authors can't write about. As someone who has gone through self-harm over and over, got addicted to it, to a point where just going half an hour without hurting myself was an achievement, I needed this story. I needed to know there were others like there who hurt like me and who didn't try to make it into a fancy Tumblr post. At the end of the book, the author leaves a note with self-harm statistics and it made me feel a little less alone, even though I've never had the opportunity to fully talk to others in length about this.

So thank you, Kathleen Glasgow, for writing this book. Thank you for introducing Charlie to the world so I can read her story and know that there is always hope, even when you can't find it right in front of you.

Sunday, 10 February 2019

Friends.

Friend is a weighty word for me right now, and it seems to be everywhere.

Friend, used by people I don't consider a friend, or consider more than a friend.

Friend, in terms of seeing posts about my friend's other friends but being excluded.

Friend, like, "Can we just be friends?"

Friends, as in the Cameron Philip song. (Go check him out, he's God-tier.)


***

For me, suffering with BPD and having friends is like walking through a landmine. I never know when I'll step on the wrong thing and everything will blow up. Throughout my life I've "picked and honed" as my household knows it. This means that in any given situation, I'll find someone, mold my entire life around them, get a little too over in my head, before ultimately having my heart broken by friendship. There have been four main people this has happened with and all four of them destroyed me at some point because I didn't have the ability to step back. Little did I know that this has been a BPD thing all my life. At each stage in my life I've found my favourite person without realising until it was too late to stop being toxic. A branch off BPD is a thing called "Chameleon", where you fashion yourself off your favourite person. It takes a lot, a lot of mental space, tears, and self-hatred to wrench yourself away from this habit, which is something I've been through many, many times. It's a toxic dynamic but it's one I've never seemed to be able to lose, hence why most of my friendships are short-lived. And the ones that somehow last for years turn out to be simple, distant, and healthy.

So what does a friend mean to me?

In the past two years, a fear called agoraphobia has taken root in me. It's the fear of leaving my house, thinking the worst things ever will happen and I won't have a quick escape plan. It's taken away 90% of my social life, restricted me concerning a working life, as well as put the breaks on any potential dating life. It's a terrible thing and even happy memories make me angry and upset because they're not happy anymore, they're reminders that I'm not anything like the person who used to go out, attend concerts, get a bus to college without any second thoughts. I had this amazing best friend Elle, who was there for me through thick and thin, who saw the darkest parts of me and never made fun, or laughed, or scorned. We used to meet up every weekend, I'd skip the occasional college class in favour of hanging out with her. Out of all my friendships, ours was the most affected when my agoraphobia took root. This led to the friendship breaking down; not because Elle turned me away. No, I turned myself away, unable to endure the guilt that came with me knowing I was constantly cancelling plans and crying alone in my room. All fun and games.

Recently, I've had the opportunity to reconnect with her; I've had the opportunity to reconnect with a lot of friends in an attempt to repair what my agoraphobic self has damaged. This morning, I continued reading Justine Winan's manuscript, and there's a paragraph that says, "all friends are good. As long as they care about you, it doesn’t matter if you see them twice a day or twice a year." And that hit me massively because not even once a year do I see my best friend who lives a twenty minute drive from me. A friend merely five minutes over the road from me is someone I see maybe once/twice a month. But they've stayed, for whatever reason, they have stayed. I've been given this complex that nothing is worth anything if it doesn't happen outside my house. So I always turned bitter when I wondered why my friends would settle for a virtual persona of me. I've struggled with writing being enough to say I've been busy because it doesn't require me going outside.

Friends are the people who stay, no matter how hard the times can get. Friends will know you, and if they truly know you, they'll believe in you and be proud of any inch of effort you make. They'll recognise how much you try, no matter how small that trying is. Friends might not always think to include you, knowing it could be too much that you'll decline again, but they see and they know. They love and care.

And whether you see them every week or not even once a year, a friend can always be there.

Wednesday, 6 February 2019

Book of the Month - January



Title: One Of Us is Lying
Author: Karen M. McManus
Rating: 5*


Firstly, January was a great month for reading! I read four books and have already uploaded blog posts for two of them. My January book is ONE OF US IS LYING, a Breakfast Club inspired novel where four students are thrown into the whirlwind mystery of a boy's death.

When Addie, Nate, Cooper, and Bronwyn are the last to see classmate Simon alive in detention, they all become murder suspects. Each with secrets of their own that Simon planned on revealing, they all have contemplative motives. Under questioning by police whilst dealing with their own ruining lives, the four find their lives irreversibly changed by one boy on the biggest revenge trip of high school stories. The murder investigation shakes each of their worlds, pulling them apart, only to knit them back together again with new lives and ambitions.

With each page, this book has you guessing a new suspect. Weaving attraction, secrets, betrayal and social hierarchy into one intricately thought out story, McManus' book has people guessing the suspect before they're revealed, before changing their minds. This book turned me into some sort of distant Sherlock, texting out detailed theories for each new person it could have been to my friend, who'd previously read this book. I'm sure she watched with amused content as I scrambled for the answer and the how.

This book was an entirely new kind of read for me. Usually I can't take to mystery. I can be an impatient reader so to have something lengthy and guessing for that entire time sounded sure to irritate me. What I found was myself being pleasantly surprised. ONE OF US IS LYING has so many plot twists--and what you find out in the end is that, really, they're all lying. To each other, to themselves, to their parents, and not everything is about Simon.

Given from each students' POV, this book offers all sides of the investigation--and the devastation that follows when wrongly questioned for a crime and having every secret held closely unravelled so calculatingly. This book is quite possibly for fans of GOODBYE PERFECT, (in terms of thinking you know people well but you actually don't and police playing a massive part in the puzzle) and, well, those who liked the dynamic of THE BREAKFAST CLUB in terms of character profiles.


Wednesday, 23 January 2019

WHAT IF IT'S US - Review

Author(s): Becky Albertalli and Adam Silvera
Rating: 5*


When I heard about this book, I pre-ordered it as soon as it was available. Adam Silvera and Becky Albertalli have taken leaps for gay representation, with previous publications like Simon Vs the Homosapiens Agenda, Leah on the Offbeat (Becky), and History Is All You Left Me (Adam). Knowing their writing styles--and loving both--I couldn't wait for WHAT IF IT'S US.

The universe plays a big part in this Young Adult book about two boys from very different lives meeting in a post office, on chance. Arthur, a Hamilton-obsessed intern, stumbles across Ben, a Sims-loving student. When their meeting is fleeting but full of curiosity and lingering thoughts, Arthur puts up an ad to find Ben.

When the two reconnect, their differences often clash. Ben is only recently single and likes Arthur but he’s hesitant to fully let go of his ex-boyfriend. Arthur is new to any kind of love life and eager to have everything live up to his expectations. After many awkward, do-over dates, the two finally find their rhythm.

This book is pure, beautiful, and enjoyable. It’s so heart-breaking to read about Ben’s self deprecation when he can’t see how amazing of a person he is, and it’s so fun to read the awkward, corny scenes. My heart melts a little every time Arthur gets to convince him of what a great boyfriend he is.

A book about how the universe likes to play us all—whether you believe or not—, Arthur’s and Ben’s story leaves a reader wanting more, wishing the boys had more, and hoping that they find true happiness in their respective futures.

Tuesday, 15 January 2019

WILD BLUE WONDER Review


Author: Carlie Sorosiak
Rating: 5*



This book was a beautiful--beautiful--read. Whenever I opened it, the world slipped away, I got immersed in this new summer camp setting, and for the first time in months, I truly relaxed. I started 2018 off reading Carlie Sorosiak's IF BIRDS FLY BACK, so I wanted to start 2019 reading her next book.

WILD BLUE WONDER starts off in the wintery present, with Quinn--a flawed, ambitious protagonist--, her brother, and sister, all torn apart yet enduring the same house. Each chapter is alternating, allowing glimpses into the summer just gone, when everything was wonderful--until the disaster happened.

The contrast between the two times is startling and incredible: not only does Carlie show the difference in the siblings, she shows the difference in Quinn. How unburdened she was in the summer, how much more she laughed, or could look at water without throwing up, or not feel guilty for having feelings for a new boy at school. It shows the difference between the seasons and how they affect the camp. For me, this was a massive point. The camp in summer represented warmth, the campers all wanting to have fun, happiness beneath the sun before the Accident. Then winter: with it's emptiness, bare trees, all leaves fallen off, similar to the way the siblings have fallen away from each other.

Quinn's story is brutal, honest, empathetic and hopeful. Whilst Quinn battles her own sorrows and guilt of what happened over the summer all three siblings fell in love with the same boy, she has her best friend and her grandmother. Both are strong support points for Quinn. Neither leave her in her time of panic or meltdowns. Both love and support her. In the book, Quinn rebuilds an old boat which signifies her wanting to rebuild herself. Each hole mended in the boat needs to be a hole sewn back up in her heart. Still, it's not enough for her haunting past; fixing a boat can't fix her because that takes longer work, more self-reflection, and when Quinn still struggles with that she has her family around her.

WILD BLUE WONDER shows the torn family and the hope that dying winters can actually have. That snow is cold and dangerous but it can be beautiful enough to lie in to make snow angels; that family will never, ever leave you, no matter how far away they seem. Carlie Sorosiak has such a meaningful way of writing love, siblings and methods in recovery, and each page draws me in further. I absolutely cannot wait for her next book!

Sunday, 30 December 2018

Best Books of 2018






Note: Not all the books I read have been published this year. When I say "best books" I purely mean what I bought, old or new books, and completely enjoyed reading this year.

2018 has been a weird year for me. I worked for most of it but through that I found myself not enjoying life. A new manager took over in my workplace and messed up my working life to the point of me leaving. Now, looking for a new job, I feel like this year hasn't quite existed. I look back, appalled at myself when I count the months it's been since I last saw a particular friend, or went to this place or that place. This year has flown by in a blink, filled by working days, sad days, happy moments and overall, a very externally unexciting 2018.

But my solace will always be books, and I read some incredible ones this past year.

I started my year off reading IF BIRDS FLY BACK, by Carlie Sorosiak, and my soul absolutely sang with it. I've never felt so seen by a book before I read this. I have such love for Carlie's writing style, the amazing characters I read about, and their hardships. Linny, the female protagonist, was a character I related to so much with her desire for films, scripts, and finding herself as well as her sister.

ALEX, APPROXIMATELY, by Jenn Bennett. If you know me, you know I will not shut up about Jenn Bennett's writing. I've read three of her YA contemporaries now, and ALEX, APPROXIMATELY, was just another addition to the love I have for her books. It's such a fun, exciting read, with fresh plot-lines and characters. If you're a fan of a contemporary centered around the protagonist moving towns and finding a new life, love, and goals, this is for you! (Bonus: film-fanatic characters!)

SONG OF THE CURRENT, by Sarah Tolcser. As far as debut novels go, this was incredible. A novel set on a river? With a whole community of river-people? And sailors? With a headstrong female protagonist at it's helm? And a stowaway character who becomes her love interest? I was SOLD. Sarah Tolcser's descriptions of the rivers, boats, and how Caro's world revolves around the river-folk is wonderfully done. I was so hooked!

LETTERS TO THE LOST, by Brigid Kemmerer. I read this in June; at this point, I'd read extremely disappointing contemporary reads. I hadn't a read a good one since Alex, Approximately, in January. This is a book where the main connection is virtual communication. It's the classic trope of "we talk through screens but oh no, you're the school's bad boy in real life and you'd never look twice at me--but oh, you have" and I'm a massive sucker for that. I was completely invested in this novel and even though a lot of people have reasons to dislike this trope, it's done so well. There are amazing heartwarming moments in this, as well as shocking plot twists!

THE STAR-TOUCHED QUEEN, by Roshani Chokski. This is the Hades/Persephone/legendary story I've been waiting for! It has riddles, magic, portals, plot-twists, myths and culture - what more could you want in a fantasy book? This story pulled me in from it's first word, and I found myself hating myself for not reading it sooner.

TO KILL A KINGDOM, by Alexandra Christo. Again, another watery debut that I absolutely dived right into. This is The Little Mermaid with a better twist. The main protagonist, Lira, is a siren, tasked with taking a prince's heart--but she ends up falling for that heart instead. And the prince is also a pirate with a brilliant crew and determination to better himself. Deadly, dangerous, and magical, this is definitely a debut from an author I look forward to reading more from.

THE HATE U GIVE, by Angie Thomas. I was slow getting to this. I knew how emotionally-fuelled it was, how big a deal it was, and I had to be mentally prepared to read that. But once I read it, I devoured it, and then never shut up about it. Every day, I updated my mum on the story even as she got lost in my terrible verbal explanations (because we all know I can't speak), and happily sat for hours on my days off work just taking everything in. This is a hard, honest, raw book to read--one I think everyone of any age, genre-preference, or mentality should read.

ONLY LOVE CAN BREAK YOUR HEART, by Katherine Webber. Katherine is another contemporary author whose book I would buy in a heartbeat. I would read her shopping list. Reading Wing Jones last year felt like a breath of fresh air. All Katherine's books have this sense of self to it, like the book whispers find yourself, know who you are. Indeed, every time I finish her books, whether it's a reread or new story, I assess myself and find something a little brighter each time. I try to look for the positive things in me rather than dwell on the negatives. But even when I find the negatives, somehow they seem a little less potent. My heart sings for Katherine Webber's words.

UNDER ROSE-TAINTED SKIES, by Louise Gornall. HI, ALL, THIS WAS PROBABLY THE MOST IMPORTANT BOOK I READ THIS YEAR. When I say important, I mean in a very personal way. This was a book my mental health needed to know existed, a book I read more as a guide than a story, and felt more confident for it. A Young Adult contemporary about a protagonist suffering with agoraphobia to the point of never leaving her house is something I related to. This year, I could count on only one lot of two hands how many times I left my house for social plans. Every other time was for work, and even then, I wanted to curl up and never leave my room. This book felt like a hand to hold, a murmur in my ear that I was okay, that recovery is out there; support is out there.

STATE OF SORROW, by Melinda Salisbury. Politics! Lost siblings! Courts! Warring countries! This is a beautiful read, full of colour, education, intrigue, and the politics behind a country. So different to her Sin-Eater's Daughter trilogy, Melinda Salisbury brought a new angle to Young Adult with this amazing book.

STARRY EYES, by Jenn Bennett. My year was blessed to read TWO novels by her this year. This story completely took my breath away. It made me think a little deeper, want to explore a little further (when I can), and know that not all is at it seems. Set on a camping trip that goes wrong, the two love interests (formerly best friends) are forced to reconsider their past and wonder why they never worked out.

KINGDOM OF ASH, by Sarah J. Maas. My brain is still broken from reading this back in October. This book was Big for me. It was what I labelled as a Life Checkpoint (an entirely different mental health story) and I was blown away by the conclusion SJM gave. It did not disappoint, and when I finished that last page, the end to a series I've been with for five years, I sobbed for a good hour and more. I will forever be thankful for what Sarah J. Maas has given me through her books.

LEGENDARY, by Stephanie Garber. I cannot hype this book up enough! It's a fresh take on YA fantasy. Playing cards, a maze, a game, old gods, MAGIC. I adored Tella and Scarlett and how different they are. Scarlett, the level-headed thinker; Tella, the head-strong player. In the end, both sisters end up playing games of their own, tailored to them. Legendary is the second installment in a trilogy that ends next year, and I'M NOT READY.

_____


To name a few! And most importantly, I hit my Goodreads Reading Challenge for the first time! I'm looking forward to reading so many more uplifting, inspiring books in 2019!

Tuesday, 25 December 2018

What is Christmas Worth? (A Christmas Short).


Alex woke to a blur of colour, flashing lights, and something scratchy on his face. For a second, he stared outward, letting his eyes adjust. He remained lying down, letting the cold seep into his skin where his pyjama top had ridden up in sleep.

And then it came.

Squealing and shouting, light bickering downstairs already, the sound of greetings. He closed his eyes, taking it all in, and smiled to himself. Then his eyes flew open, registering the difference in his room.

The lights, the scratchiness—turning out to be tinsel, he found, as he sat upright—hadn’t been there yesterday evening when he’d left the house. His bedroom flew open and a young girl with red bows already in her long black hair, dressed in a pale blue nightgown, darted in.

“Alex!” she cried, rushing around his room before he reached out to stop her, grinning. “Do you like it?”

By it, he knew she meant the decoration. He’d been out late visiting friends the night before and his habit of stumbling to his bed in the dark had long set. He hadn’t noticed it then. But now… The little decorated fibre-optic tree—the baubles and tinsel pink—with an angel at the top; the fairy lights running the perimeter of his ceiling; the extra garlands of tinsel draped over every surface she had found.

Sliding out of bed, Alex leaned down and scooped his sister, Rose, in his arms. At only the age of five, she still possessed the magic of Christmas. She still had years yet until all of it died out. For now, that fire of belief blazed brightly. For now, she maintained her part of the Tesley Christmas routine.

“Are Mum and Dad arguing again?” he asked her, sighing dramatically, emphasising his words. “Again?”

Eyes downcast, Rose nodded. She didn’t know it wasn’t a real argument; it had no fire or anger behind it. His parents had come from very different Christmas traditions and despite spending many together now, they still hadn’t found harmony. Rose didn’t know it was only over whether the dinner should be prepped now, or if presents for three children was the first priority.

Alex set Rose down, patting her shoulder. “Go cheer them up, okay? I think everyone could do with a bit of your joy.”

She grinned up at him, one of her teeth missing. She hadn’t put it under her pillow yet; she hadn’t wanted to overshadow Santa by inviting the Tooth Fairy. Her tooth was in a jar, safely waiting for the festive season to be over, before she slipped it beneath her pillow. Watching her bound down the stairs, Alex smiled at the heaps of joy and happiness still living in his little sister. Once her squeals entered the kitchen and he heard the bicker break off, Alex turned towards his other sister.

Triss stood in her own doorway, a bemused smile on her face. “I helped her decorate my room, Al. I helped her. Have you seen it? My room looks like Santa’s goddamn grotto.”

“That’s love, Triss. She loves you the most,” Alex couldn’t help but answer with a smile.

“Oh, really? She spent the entire time talking about all her new ideas for your room.”

Plucking a line of pink tinsel from the inside of his shirt, Alex grimaced. “Maybe I get some extra big brother love.”

Triss laughed quietly and wrapped an arm around his shoulders, pulling him down to the calls of Rose. She screamed about Santa, and look, Triss! He came for you even though you’re old!

Alex nudged Triss, laughing. “Old,” he said.

“Shut up,” she countered, shoving him into the kitchen whilst she sauntered into the living room. Indeed, when he poked his head to see, a pile of presents for Rose, the little girl sat right in the middle of the mound with a grin on her face.

And because he was nineteen and could ask these sorts of things, he looked to his mum—already in her work uniform—and said, “Seriously?”

A blush spread over her cheeks as she shifted under his question. “Santa needed to come through this year.”

Then a curse cut through the kitchen and Alex looked at his dad, already in a three-piece suit, as he always attempted to maintain on Christmas Day. The suit never lasted more than an hour.

This was the Tesley Christmas, as Alex had known it for the past few years: his dad, always spilling coffee on his tie, complaining about changing, but always coming down in the pyjamas Rose left for him on the bed. The crafty little girl had caught on, waited for the bickering to start, and then snuck into their parents’ room to provide a change of clothes. His mum, working early, coming home mid-afternoon, and falling into the pace of the day like she hadn’t missed all the present-opening. Triss, always on her phone to wish her many friends and followers a Merry Christmas. Alex himself, who fretted over Christmas and what he’d bought for his sisters, comparing the gifts he’d bought to everyone else’s. And then Rose, the most unburdened of them all. All she ever complained about was ripping wrapping paper even when their dad encouraged her to tear it all off. That was part of the excitement.

Still, Alex knew things had been different this year. His mum hadn’t had her usual full-time hours; his dad had picked up overtime far beyond humane levels, so the presents not only for Rose but set out for Alex and Triss was a wonder.

A stab of guilt hit him, unbidden and recurring each year.

“Alex,” his mum said, a warning in her voice. “Don’t.”

Don’t worry over money? Now that he was old enough to be more aware? Don’t feel guilty? Don’t feel bad for not being able to give better gifts because he earned a low wage? Don’t, don’t, don’t.

A hand on his shoulder cut his thoughts off. The smell of coffee and cologne swirled together as Alex looked up at his dad. They resembled each other the most, and he found comfort in that, somehow.

“Let’s go see what monstrosities Rose got me to wear this year, shall we?” His dad said, ever the lifeline. His dad, always there to diffuse his mum’s worry-brain, the only thing Alex had inherited from her. Before his dad pulled him from the kitchen, he turned to his mum.

“What time are you leaving?”

Her own brand of guilt flashed across her face. “I’ve set aside particular gifts each for you all to open that I want to see,” she said. “Then I’ll leave.”

Alex looked over her uniform, hating that she couldn’t decline a Christmas Day shift. Yet after the money vacuum Christmas was, she would need all the pay she could get. Alex hated this part of Christmas: the part that came with each year of growing up. Each year giving him more awareness of the behind-the-scenes of Christmas Day.

Still, one look at his sister’s joyful face, that dark cloud broke. He couldn’t help but be brought into her happy orbit.

His dad pulled him along. “So do we think it’s pale blue fluffy pyjamas again, with little clouds on, or do you think she’s gone for a more considerate approach of plaid patterns?”
   
“It’s Rose,” Alex scoffed, “Of course they’re pale blue and fluffy.”

*

In the end, Rose’s three presents set out was a massive unicorn stuffed toy, a Minnie Mouse mirror-and-table set, and a new hairstyling doll.

Triss opened a new planner with so many sections she spent ten minutes going through it all, money for driving lessons, and a new scarf.

And Alex’s was—

He tore off the wrapping paper, stared down at the gift in his lap before looking at his mum. He knew time was tight and she had to go as soon as possible but he couldn’t tell himself to stop. His fingers were numb, holding the piece of paper. Tears shined in his mum’s eyes as his dad looked on with pride.

Alex’s chest tightened as he considered the gift. And then couldn’t help the tears falling down his face.

“What…” he whispered, unable to speak clearly.

“What is it?” Rose called impatiently. She had more presents to open; what was the delay? Clambering over Triss’s lap to reach his side, Rose peered down and audibly tried to read the boldest word.

But Alex knew everything it said—and everything it meant.

“You’ve been talking about it for so long,” his mum said, her voice soft with emotion. “And you’ve been working so hard at your job. We thought we’d help you along.”

In his hands, he held a plane ticket to China. He’d wanted to complete a year at a top culinary school over there next year but even with the funds from his job, he hadn’t been able to afford the travel. And now…

Alex couldn’t breathe evenly enough as he stumbled over to his parents and collapsed into his mum’s arms. After a second, he felt his dad come around to hug him tightly.

“Thank you,” he whispered into his mum’s shoulder. “Thank you both.”

And although that wave of guilt tried to overtake him, he shoved it back. This wasn’t a gift to feel guilty over—this was a gift to be endlessly grateful for. Alex thought of all the nights Rose had spent crying in his room, asking for her dad to read her a bedtime story but he’d been working. He thought of the days he’d seen his mum bit her nails right down when she was declined shift after shift request. And then they’d stuck her with Christmas Day, of all days.

Alex sobbed harder, holding his parents tighter. He wouldn’t have to forfeit anymore. He could progress, better himself, he could—

“What else did you get?” Rose asked, looking around. She still had more presents, as did Triss, but that small piece of paper that meant more than it’s size was all that was in Alex’s corner. And he couldn’t care less.

“I have more than enough,” Alex said softly.

“But Santa didn’t get you more things!” Rose cried, looking up sadly. So Alex sat next to her, showing her the plane ticket.

“See this? This is worth everything to me. This is all I wanted to open, Rose. Santa knew I didn’t need lots of presents this year, only this one.” He caught his dad’s fond expression as he watched them both. Rose, with her wide, imploring eyes; Alex, unable to properly convey what this meant to him.

“Why does Santa want to send you away?” Rose asked, pouting.

Alex pulled her to his side, hugging her tightly. “Because he knows you love me enough to be right here in your heart and mind.”

Whether his little sister understood, he didn’t care. He wanted to teach her that it wasn’t always the amount of presents visually but rather the thought and quality behind them. One plane ticket could be worth more than ten of Rose’s gifts.

He looked around his family, wanting a better New Year for them all. Triss, about to embark on her Master’s degree; Rose, conquering her class and proving she, too, had her dad and elder sister’s academia even at a young age; his mum, finding a new job with better hours; his dad finally realising that love was worth more than money earned.

And Alex… He could go to China, get the education he wanted, and know that when he returned, his family would be waiting.
           


           

Saturday, 22 December 2018

A Christmas For Me

As an agoraphobic, Christmas can be daunting. Christmas markets, busy shops, needing to actually leave my house, shopping for presents, cards, and food. There is family to see (which I am actually okay with), there are friends to visit who want to make early festive dinners, as well as general festive activities.

So how do I cope? I stick on a smile, tell myself I'll disappoint others if I don't participate, and go to these things and hope I'll start enjoying myself. Honestly, I end up fairly enjoying myself. My social batteries become drained and charged over and over, which is a tiring process, but that's what happens when you force yourself to go out!

2018's Christmas has been a highly anticipated event in my brain. Since October, I convinced myself I would be better this year. I'd go to the Christmas markets, do clothes/present shopping properly, not fear those busy shops, I'd have lunch at the Cosy Club with my sister. But that's the thing about hindsight: you can plan all these great things because you don't have to face them yet. When that time comes, the anxiety creeps in, whispers in your mind that you can't do it because Whatifwhatifwhatif.

Last year, I celebrated Christmas with a job. I worked on Christmas Eve (complete with a festive jumper), and had Christmas Day off. This year, I don't have that since I quit and got myself away from a toxic work environment. Last year saw my family waiting on contact from someone after a massive bust-up (it never came). Christmas has always been a quiet, close affair in my house but somehow, with each year, it seems a little quieter. Still, my sister, the practical Christmas fairy, brightens the place up. My mum and I smile a little brighter for her sake until those smiles become more genuine. My grandad enjoys his food, his drink, and the company.

Between us all this year, we've kicked out friends, boyfriends, partners, family members, and gained some other special people, whether they're a person to show up, or a message on a phone. Christmas is the time where it truly shows who matters to us. It's who you remember cards for, remember to wrap gifts for, remember to pass on well-wishes for a good new year. Recently, I kind of lost a dear friend to me and I know I'll be thinking of her at Christmas and hope that one day, we can find our way back to a healthy friendship. I'll be thinking of a lot of people I've lost over the years, through different means, but mostly, I'll be focused on those who stay. Those who show their love without boundaries. Those who care and take the time for me.

I write this as I've just realised a present for a special person won't arrive; I've hastily bought last-minute gifts for my sister and Mum because I've had a complex this year that nothing I buy feels good enough to give. It's not enough. Tonight, I'll be assisting my family in the Big Food Shop, as well as buying finishing presents to complete various gifts.

And in three days, I'll wake up with my mum and sister on Christmas morning, spend a moment to wish everyone I've lost well in my mind, and then I need to focus on the present. Those there, those who want to be there. I may not have participated in any Christmas activities this year but at the end of the day, I have people who understand I don't always feel up to it. I can't always contemplate travelling into town, or walking around it. As I look into the looming 2019, all I wish for is to find my own courage and bravery once more. The courage to live a life I want, the bravery to find myself once more.

I'll be posting 1-2 more blogs before the year is up but for now, Merry Christmas to you all! I hope you all get what you wish out of the festive season this year.

Wednesday, 19 December 2018

TURTLES ALL THE WAY DOWN - Review


Author: John Green
Star Rating: 4*


It’s been a long, long time since I’ve read a John Green novel. I’m sure my last read of his was Paper Towns, back in 2015. I have a habit of falling a little behind when it comes to his newest novels. TURTLES ALL THE WAY DOWN was a hyped book I had been eager to read for months, waiting for the UK paperback to come out.

And I was not disappointed, as John Green has never disappointed with his books. TURTLES ALL THE WAY DOWN has the accurate anxiety representation I needed, and wanted, to read. It has the spiral-thoughts process, the overthinking, the worry, the rift it can cause in friendships. And he has a way of threading this through a story without making the anxious protagonist go pity-party or become annoying through her thoughts.

Aza is the paranoid overthinker I needed to read about at this current time in my life. She spends half the book wondering if a kiss could give her C-diff, or if a tiny cut will become infected and kill her. I’ve never related so hard with a character in a while. When she and her best friend embark on a mission to find Aza’s (kind of) boyfriend’s runaway billionaire father, Aza soon finds she’s not just in it for the monetary reward. As Aza and Davis grow closer, Aza’s anxiety pulls her deeper into dangerous depths as she starts to consider all that comes with relationships.

Reading this book felt like a safety blanket, of sorts. As an anxious thinker, and as someone who panics over a scratch, as someone who shares very similar thought-patterns to Aza, reading this book was pure comfort. It made me feel a little less crazy and alone.

There’s a part in the book that every anxious friend worries about: their worth and impact on others’ lives. Aza and her best friend have a massive argument centred around Aza’s anxiety and personality. Daisy makes Aza the villain when in actuality, she’s the victim of her own mental health. It was hard to read in all its painful truth, and things Daisy says can really be taken to heart and applied to more than just characters on a page. Aza finds it in her to forgive both her friend and herself—a thing I wouldn’t be entirely sure I could do so quickly. It’s not everyday you can go back to normal with a friend who calls you exhausting to be around.

TURTLES ALL THE WAY DOWN shows the darkest moments of compulsive thoughts and anxiety, but it also shows that in rare moments, all of that can be overcome and light can crack through the storm of spiral thoughts. Davis, a deep thinker, is the perfect balance to Aza’s own thoughts, and I thoroughly enjoyed reading all the thought processes that go on in this novel. It’s definitely on my reread pile.


Sunday, 9 December 2018

Shane's Book of the Month - November

November was a strange month for me. I quit my job I'd been at for eleven months. I had an abundance of hospital appointments. I kept thinking Christmas was a week away rather than a whole month. I didn't quite know what day of the week it was.

I only read two books in November, and I adored them both. I took my time with each, absorbing the story in short sittings, unable to rush through any of the stories told.

1. Kingdom of Ash by Sarah J. Maas

2. Turtles All the Way Down by John Green






And my Book of the Month is KINGDOM OF ASH.

The Throne of Glass series holds a very special place in my heart. I've been with it for five years--five very long turbulent years--and that's why I had to choose it. I've never been able to pitch fantasy and contemporary YA books against each other but I'm doing a review on TURTLES very soon!

So. The final, epic book to conclude an eight-book series. KINGDOM OF ASH broke me apart and put me together with each paragraph. Each day and emotion and character told in the story filled my heart with both joy and dread. Every page felt like a ticking time bomb, wondering who would make it to the end. I had my own thoughts of who wouldn't survive, and none of that happened.

What did happen was how much I got taken off-guard with the book Sarah gave us for this brilliant final battle.

Spanning over several countries, groups, and missions, KINGDOM OF ASH shows five different armies, all fighting in their own way. My favourite, by far, was reading about Manon and her Thirteen. Yes, I wanted to know if Aelin survived the ending she got in EMPIRE OF STORMS and that broke me in ways I can never describe about a fictional character, but I adore Manon Blackbeak. Her story is so important, so moving. I can talk for days and days about Aelin's character growth but to talk about Manon is such an under-appreciated thing in this fandom. Manon is my favourite female in the series and she played a very integral part in the conclusion. So when her own tragedies befell her in the book, I wept and wept. Manon fought for everything with all she possessed and both lost and won it all.

The past eight books (including the two spin-off novella stories of ASSASSIN'S BLADE and TOWER OF DAWN) have taught me so much. Each character represented a trait I wished I could adopt for myself. The books have taught me strength, openness, fierce loyalty, determination, and how to keep hold of a thought--a concept--when you can't put it into action. Aelin suffered in darkness, knowing what she fought for even if it wasn't in reach, and that taught me a great deal. The Cadre, the Thirteen, the Original Three, the Bane, and the Rebels all brought so much joy and pain. A clash of light and darkness, KINGDOM OF ASH was truly the final book I wanted, and more.

It's hard to let go of something that's been there through so much and yet I have. The Throne of Glass series feels like a friend I can let go of, a friend I can look back on fondly after having learnt a great deal from. I read THRONE OF GLASS back in August 2013, when I was still in high school. Two months prior, everything had come out in the open about a bad place I was in back then. I needed putting back together after what felt like my entire life had unravelled. What I struggled with back then was a release for me, a bad coping mechanism when the world was too painful and loud. It only silenced when I fell into THRONE OF GLASS. Since, I've made and lost best friends, I've harbored unrequited love, I've studied in college and finished with a decent grade, tried my hand at university, got different jobs, been home-bound due to anxiety and mental health. I've seen beautiful countries, seen a million sunsets, and felt so much it's overwhelming.

Not only did finishing this series put to rest those characters but it forced me to reflect on myself. I don't feel as though I've grown as a person or become a better me at all, but to look back and smile at all these years, brought me to tears. It made me breakdown in a very strange way.

I will always be grateful and loving towards this gift Sarah J. Maas has given me.